Due to sound check restriction the door time indicates the earliest opportunity we can give access to the venue. Live music will start 20-30 minutes after the door open time.
Years before Rolling Stone was praising Carson McHone's rule-breaking roots music, the Austin, Texas native played weeknights in local bars like The White Horse, keeping dancers dancing and drinkers drinking. With her 21st birthday still in the distance, McHone entertained late-night crowds bearing witness to the good times and bad decisions that fill a busy bar. It was a rare, raw education. She pumped her music full of details from an early adulthood spent in the company of the heartbroken and high-toleranced. In 2015, McHone released Goodluck Man, which earned her a cover story in The Austin Chronicle as well as the support of local icons like Ray Wylie Hubbard, who said she "writes songs like her life depends on it." Then she hit the road, touring the U.S. (and beyond) with acts like Shakey Graves, Gary Clark, Jr., and Joe Pug. Her writing style widened and her music evolved.
Dark, driving and evocative, her latest album Carousel captures this period of remarkable growth, shining a light not only on McHone's honky-tonk roots, but also on her development as a modern, alt-country storyteller. It features newly written songs and updated versions of tracks that first appeared on Goodluck Man, pushing traditional sounds and themes into a modern context.
Carousel is a latter-day record unconcerned with flying the flag of old-school country, inspired by diverse sources like Dylan, the Velvet Underground, and American novelist Thomas Wolfe. It wears its eclecticism proudly, with McHone singing each song in a voice that is worldly-wise and woozily gorgeous.
McHone explains that Carousel embraces where she's come from and establishes where her musical interests are leading. “The art I’m making would be lacking if I were to stick to a specific genre. Carousel is more modern, which is where my interests lie these days, and where my writing is taking me. At the end of the day, it has to be the song that dictates.”
Growing up, McHone rode her horse bareback along the side streets of south Austin, weaving through traffic and empty parking lots to find space to "open up". For any motorist driving past, she must've been a wonderfully unusual sight to behold: a messy-haired young woman riding down the street, bridging the country and the city, the past and the present, the Wild West and modern Austin.
McHone’s 2019 release builds a similar bridge. Purposeful, pointed, and poignant, Carousel is a compelling ride.
The best singer-songwriter in the country field that this country has ever turned out.” – Country Music People
Ags Connolly is a traditional country singer-songwriter from Oxfordshire, England. Having attempted to write songs for years, Ags found the confidence to take it seriously after attending a workshop with Nashville super-musician Darrell Scott. Since then he’s built a reputation as an inspired songwriter at major festivals and as a constant presence on the touring circuit. Ags has headlined shows both solo and with a band across the UK, Europe and the US.
Ags’ influences come essentially from hardcore country songwriters like David Allan Coe, Johnny Paycheck and Dale Watson. However, he also takes major singer-songwriter influences from the likes of Guy Clark, Loudon Wainwright III and Chris Knight.
The debut album ‘How About Now’ was released in February 2014, receiving rave reviews including being named ‘Album of the Month’ in Country Music People magazine who described him as “the closest we’ve ever come to an English Willie Nelson”. The album was also heralded as “a masterpiece” by Maverick magazine. In 2016, Country Music People magazine named the song ‘When Country Was Proud’ as one of the Top 50 country songs from the last 30 years.
Ags’ second album, ‘Nothin’ Unexpected’, was released in February 2017. Its release led Country Music People magazine to declare him “the best singer-songwriter in the country field that this country has ever turned out” and John Godfrey from The Troubador Show to label it “the best country album to come out of the UK from the best ever UK country artist”.