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Hollis Brown
plus support

Thursday 3rd October 2019

The Jericho Tavern, 56 Walton Street, Oxford, OX2 6AE

Doors 7.30 pm
Tickets £12 in advance, £15 on the night
Buy tickets . . .
Empty Room Promotions 2019 ©
In association with Neil O’Brien Entertainment
Due to sound check restriction the door time indicates the earliest opportunity we can give access to the venue. Live music will start 20-30 minutes after the door open time.
Queens, New York, is a borough rich in rock 'n' roll history. KISS. The Ramones. RUN-DMC. Simon and Garfunkel. Dee Snider. Perry Farrell. And we'll take a leap -- Tony Bennett. 
 
Hollis Brown is a band from Queens, formed by singer-guitarist Mike Montali and lead guitarist Jonathan Bonilla. Rounding out the rest of the band are Andrew Zehnal (drums), Adam Bock (keys), and Chris Urriola (bass). The band has been releasing music since 2013. The group has toured extensively in the U.S. and Europe, both on their own and supporting the likes of, Counting Crows, Jackie Greene, Jesse Malin, the Zombies, and many more. And you've heard their music in films such as "Bad Country" and on TV series such as Showtime's "Shameless," DirecTV's "Kingdom" and MTV's "Real World."
 
Hollis Brown is a (hard) working rock 'n' roll band, in other words, a group that lives up to the blue-collar legacy of their hometown. But, as evidenced on their new album Ozone Park, there's also a great deal of sophistication in the mix, rich melodicism and advanced harmonics that allow Hollis Brown -- yes, named after the Bob Dylan song -- to blend a wealth of influences into a distinctive sound that plants their own one-of-a-kind flag in ground that's been otherwise well-travelled.
  
That's exactly what Hollis Brown set out to do -- "Great songs but rock 'n' roll with the sound of 2019" -- on the 10 tracks of Ozone Park, which was recorded at Unity Gain Studios in Fort Meyers, Fla. The songs cover plenty of musical ground but this is no mere playlist; rather, they weave together in a cohesive, dynamically exciting ride that ranges from the soulful buoyancy of "Blood From a Stone" and "Stubborn Man" to the ringing Americana guitars of "She Don't Love Me Now," the funky flavour of "Go For It" and the fuzzy hard rock of "Bad Mistakes." It represents care and craft, and a diversity Montali credits to his own musical roots.